Whenever someone asks me where I 'm from, I say I don't know.
Ruba Nadda
Ruba Nadda
director, Ruba Nadda
Movies are transporting - magic carpets which waft us aloft into captivating domains we would otherwise never visit. I cannot recall, for example, the last movie I saw, set in sensual Cairo. (Raiders of the Lost Ark and Purple Rose of Cairo don't count. Mavens had two suggestions: The English Patient and The Yacoubian Building )
Cairo Time's magic carpet takes us of course to pyramids, the Nile, sukhs, hookah bars, camels and the white desert. But director Ruba Nadda is after something more.
Who Ruba Nadda is, tells us much about what Cairo Time is all about. She was born here in Montreal, grew up in Manitoba, B.C. Several times, her family shuttled back and forth to Damascus, before settling finally in Toronto. She studied filmmaking at NYU, then returned to Toronto, where she has made an array of shorts with provocative titles (Slut (1999); Blue Turning Grey Over You (1999); I Would Suffer Cold Hands for You (1999); I Always Come To You (2001). Cairo Time is her fourth movie.) Nadda is also a prolific poet/writer.
Here's one of her poems:
.................................
my 11 year old sister is on fire
.................................
my 11 year old sister
is on fire
she sits at her desk
and dreams up
of lies to tell her friends
then she
lies in bed and wonders
what it is like
to kiss boys, she tries to
shut the talk shows
in the other room out along with
her mother's soft crying
she trys to memorize lines
so she can write
her poetry the next day
she is a little girl
who has overheard a secret about her
sister and who is now too scared to
close her eyes
she calls
me late
saturday and asks me if it is
true, says ruba, i can't
believe you
i'm on fire
.................................
She says of her own upbringing, Whenever someone asks me where I'm from, I say I don't know.
I guess so.
Growing up Canadian and Arab and female in a peripatetic Syrian-Canadian family, she must indeed have felt a stranger in a strange land.
With Cairo Time, the luminescent Patricia Clarkson, not Ruba Nadda, is the stranger in the strange land - a land within Nadda's comfort zone, but utterly bewildering to the Clarkson character, Juliette, wife of a Canadian diplomat. She encounters a suave Omar Sharif character. They play chess, they float on the Nile, they discuss the superficiality of Canadian women's magazines.
She surrenders her stodgy Canadianness, puts down her her iMac, picks up her hookah, attempts to work through her culture shock – shifting from trying to understand to accepting that she never will. She gets on a Gaza-bound bus, and the Israelis kick her off. She doesn’t get why.
Her husband the Canadian diplomat, running a refugee camp in Gaza, can't meet up. Work, doncha know! He seems no better equipped to deal with his own strangerness in an even more strange land. Gaza.
And so it goes.
Patricia Clarkson & Alexander Siddig
Web Resources:
Before the screening, mavens might log onto some Cairo Time material on the web, which will provide you with background about the filmmakers, the stars and the production:
On our website, my-pov.ca, we've posted the Cairo Time trailer, which reflects Cairo Time's languid lush caramel cinematography.
On YouTube are three enchanting clips from TIFF, invues with Ruba Nadda, Patricia Clarkson and Alexander Siddig, the male lead: http://www.youtube.com/watch?v=gT36gawbrdo
Also a short documentary for Sabah, Nadda's last movie: http://www.youtube.com/watch?v=brl-H9LBab0
Cairo Time is an exquisite feast for the eyes, ears and eventually, the heart. Ruba Nadda takes us on a tour of Cairo which flows so well because it appears complete even down to such minute details such as showing street children selling bobby pins, a wild motorcycle driver nearly hitting the film's heroine, and Egyptian hit songs playing on a taxi's radio. In contrast with the high energy scenes of Cairo's bustling city life are dreamy, beautifully composed shots of the city's classical architecture, the Egyptian pyramids and the white desert, all which give the impression that they are frozen in time. But, the time in Cairo Time is hardly stagnant. The film's stunning images, rich music and moving love story about a bored workaholic married Canadian woman whose passion for love and life is awoken by her relationship with a Egyptian man interplay so beautifully that the film appears seamless. Patricia Clarkson (Juliette) and Alexander Siddig (Tareq) convincingly play a couple whose professional relationship transforms into a love relationship over time. Both actors show off their fine acting skills by expressing the characters' love for each other through their subtle uses of body language and eye contact. Each views the other as a kind of "forbidden fruit", yet neither one can hide their desire for the other. The quiet intensity of their passion is almost deafening. Cairo Time works because it does so well what many other contemporary films don't do well. It takes you to another place and time, one of the main reasons we go to the movies. - David Bourgeois
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